I have been a visual storyteller my whole life, and professionally for over two decades in New York City’s branding and advertising world. I am classically trained in painting, sculpture, photography, and design, and that traditional foundation continues to shape every aspect of my practice.

I have always been fascinated by technology and the way it reshapes how we communicate, create, and experience the world. That curiosity informs both sides of my studio practice, which exists in two connected worlds: one rooted in physical materials, and the other in digital and generative processes. On one side, I work with ink, paint, washes to build layered mixed-media compositions guided by hand. On the other, I use photography and raw botanical scans to create generative portraiture and flora abstractions through AI-driven imagery, using technology as a creative collaborator. For me, AI is no different than a camera or a brush, it is a tool that extends my vision.

Across both approaches, my work centers on surreal portraiture, fashion, and botanical forms that merge into atmospheric, dreamlike compositions. Influenced by Man Ray’s experimental double-exposure photography, I reinterpret the language of layering through both physical and digital means. Every piece is directed, composed, and refined by me.

I have developed a process that allows my digital works to be scaled and printed at monumental, gallery sizes while remaining limited-edition, rare, and collectible, transforming ephemeral imagery into permanent physical works with presence and weight.

The Terrarium Files is my first generative art collection, within which Specimen X exists as a mixed-media series built through ink, paint, and washes.

Inspired by Andy Warhol’s belief that art is for everyone, my practice lives at the intersection of traditional craftsmanship, emerging technology, surrealism, fashion, design, and timeless aesthetics.
I am interested in creating work that feels both accessible and aspirational, rooted in skill and imagination, while speaking to the present moment.